Shut Up Already

You, no me, I need to learn all the notes before ghosting them. So its too many notes in the learning phase. Playing sweet is abstracting from the possibilities on the melody side; on the rhythm side, I need to be able to play at least twice as much as I'm playing. This way you imply the double time. That is feel. That is what it is. You imply polyrhythms. Think about it; T-Bone Walker, SRV, the best rhythm players, that's what they do. For me to get it down solid, I need to play them *all* first. Then we back off and we're Albert King.